Why upstart US opera companyโ€™s stripped-down productions have found an audience



Dan Schlosberg remembers the day 11 years ago when his upstart opera company put on its first performance โ€“ in a yoga studio before an audience of 30 people.

โ€œWe did Kurt Weillโ€™s The Seven Deadly Sins accompanied by an upright piano that we got for free on Craigslist and a violin,โ€ said Schlosberg, Heartbeat Operaโ€™s musical director and one of its founders.

Its name came โ€œfrom the idea that singers would be feet away from youโ€, Schlosberg said. โ€œAnd so you would be experiencing their voices at armโ€™s length and that would make a resonance in your heart.โ€

Today, when many opera companies are struggling financially, Heartbeat appears to be thriving, with an annual budget that just passed US$1 million.

But true to its initial vision, the company still performs in small venues, most with a seating capacity of about 200.

โ€œVery few small companies take up the ambition to do the fullness of opera on a small scale,โ€ said Jacob Ashworth, another founding member and Heartbeatโ€™s artistic director. โ€œWe donโ€™t do small opera. We do big opera in a small space.โ€

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