Review | Cannes 2025: Renoir movie review โ€“ Plan 75โ€™s Chie Hayakawa considers amorality in Japan



4/5 stars

In Renoir, hardly anybody cries. Its eerily calm characters shed barely a tear even when caring for the dying, mourning the dead or struggling with their lifeless marriages.

Yet Chie Hayakawaโ€™s second feature isnโ€™t set in the kind of dystopia seen in her debut film Plan 75, in which the elderly are encouraged to participate in a state-sponsored euthanasia programme to make the country young again.

Set in Japan in the 1980s and revolving around the life of a schoolgirl whose father lies dying in hospital from cancer, Renoir is an empathetic portrait of a childโ€™s rite of passage in a society beset by very real moral dilemmas.

More importantly, Hayakawa offers a subtle, yet spot-on critique of the twisted social norms which would have made the inhuman scheme in Plan 75 a very distinct reality.

Premiering in competition at the Cannes Film Festival, Renoir is bolstered by Hayakawaโ€™s sound screenplay and solid mise-en-scรจne, in which her charactersโ€™ frostiness is contrasted with the warm colour palettes of cluttered Japanese homes in summertime.

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