Kristen Stewart on directorial debut The Chronology of Water, violence of being a woman



โ€œI canโ€™t wait to make 10 more movies,โ€ Kristen Stewart said the morning after making what Rolling Stone magazine called โ€œone hell of a directorial debutโ€ at the Cannes Film Festival.

Nor can film critics, judging from the rave reviews of The Chronology of Water, her startling take on the American swimmer Lidia Yuknavitchโ€™s visceral memoir of surviving abuse as a child.

All the producers who Stewart said passed on her script, saying its subject matter made it โ€œreally unattractiveโ€ to audiences, must now be crying into their champagne.

Variety magazine called it โ€œa stirring drama of abuse and salvation, told with poetic passionโ€, while Indiewire critic David Ehrlich said โ€œthere isnโ€™t a single millisecond of this movie that does not bristle with the raw energy of an artistโ€.

The fact that she has got such notices with what is normally a no-no subject in Hollywood โ€“ and with an avant-garde approach to the storytelling โ€“ is remarkable.

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