Endangered Asian traditional crafts spotlighted in Hong Kong exhibition at Chat



When you Google โ€œMaumereโ€, tempting photos of turquoise waters, pristine beaches and coconut palm trees set against a lush, volcanic landscape pop up. The town, the second largest on Indonesiaโ€™s Flores island, is lauded as a โ€œbest-kept secretโ€ and a โ€œhidden paradiseโ€ on many travel websites.

Hongkonger Mandy Ma Wing-man lived in this paradise for seven weeks earlier this year while on an unusual art exchange. On the island, she learned the fading art of hand-weaving Ikat fabric from an indigenous craftswoman known simply as Mama Lin.

โ€œIt was nothing like any weaving technique Iโ€™d come across before,โ€ Ma said at the opening of โ€œTidal Weavers: Islands Exchangeโ€, a summer exhibition at the Centre for Heritage, Arts and Textile (Chat) in Hong Kongโ€™s Tsuen Wan district, where visitors can see two pieces of fabric she made with help from Mama Lin and her friends.

Ma was one of a group of artists from Hong Kong, Taiwan, the Philippines and Indonesia who went on residencies far afield for this exhibition, instigated by Chatโ€™s executive director Takahashi Mizuki and Indonesian curator Ade Darmawan.

Every day in Maumere, 29-year-old Ma went by motorbike from where she stayed to Mama Linโ€™s home, where they weaved and cooked together, often with no translator, no internet and frequent power brownouts. Ma learned the ancient craft from scratch: from spinning cotton into yarn to dyeing to weaving intricate motifs.

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