Contemporary Chinese ink artist tips hat to Anita Mui, Cantopop diva, in Hong Kong show


Ever since she was a teenager, artist Hong Wai has made it her mission to show that Chinese ink painting and calligraphy are not historical relics but powerful tools for self-expression and contemporary dialogue.

โ€œ[Ink art is seen to represent] power, tradition, and cultural influence but my work challenges these ideas,โ€ says the 42-year-old artist, whose creative fingerprints have been left at galleries from Melbourne to Miami to Montreal.

Born in Shanghai, raised in Macau and living in France, Hongโ€™s art explores the fluidity of cultures and identities in a way that breaks boundaries and challenges social norms. In fact, ever since her first exhibition in Macau at the age of 17, she has vowed not to be a good, obedient student of the old masters.

That sense of rebelliousness is on show in her new Hong Kong exhibition, โ€œNo Way to be Goodโ€, at Soho House in Sheung Wan.

A work titled Alternative Landscape Fragrant mountain II by Artist Hong Wai in her exhibition โ€œNo Way To Be Goodโ€. Photo: Elson Li
A work titled Alternative Landscape Fragrant mountain II by Artist Hong Wai in her exhibition โ€œNo Way To Be Goodโ€. Photo: Elson Li
The title comes from a line in โ€œBad Girlโ€, a 1985 hit by Cantopop diva Anita Mui Yim-fong, whose heavily made-up eyes peek through a painted veil of lace on the exhibition poster.
For Hong, the 1980s โ€œgolden ageโ€ of Cantopop carried the same bold spirit of love of unconventionality that she strives for.

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